MartinHorn Posted December 17, 2005 Posted December 17, 2005 You decide. Also if you know of any shows without one name them. Quote
TRtrumpet Posted December 18, 2005 Posted December 18, 2005 I doesent HAVE to have one. It adds depth to the show if there is one though. Ours didnt have one, but then again ours wasent anything real special... lol. Quote
Fortisimo Posted December 18, 2005 Posted December 18, 2005 Nahhhh, slow movements are only there out of convention. And perhaps bad taste. Lmao, I kid, I kid... some people like them.. Quote
themainroo Posted December 18, 2005 Posted December 18, 2005 omg slow movements are so awesome i loved ours i think that most of the shows ive seen or heard are fairly flat and unintresting but just because a show has a slow movement doesnt make it intresting slow movements that are just a bunch of whole notes tied together at 60bpm is boring Quote
G'townPIT Posted December 18, 2005 Posted December 18, 2005 you gotta have some contrast in a show. it can't be all out blaring high c's the whole way. they help you appreciate those moments. Quote
MartinHorn Posted December 18, 2005 Author Posted December 18, 2005 Quote you gotta have some contrast in a show. it can't be all out blaring high c's the whole way. they help you appreciate those moments. While true, it would be awesome to have a show that was nonstop intense. Quote
Fortisimo Posted December 18, 2005 Posted December 18, 2005 Well, that's not neccesarily the debate though; for example, if you listen to Suite of Assorted Catalcyms, you'll find that much of it is intense and fast, yet, there are slower, half time sections laced in for contrast and effect. There is one slow movement, but I only did tat out of convention. I like the slow sections that I have embedded in the faster parts, but i'm not real big on the whole concept of a slow movement. They are rarely entertaining, and often break the momentum of the show. However, for example, the minor canon before MVT 5 in SOAC and the fugue before the Conclusion are godo examples of embedded slow sections. They don't break the momentum of the piece, but they are entertaining, and they do serve as a sort of tempo break. It hink this tactic is much more effective, and is very underused. That's just my opinion though. We have a lot of high C's in the Lord's Prayer... (which is one of our slow movements from this past season)... of course, we also had a double G in wild nights and a few high e's in ostinato. Quote
G'townPIT Posted December 18, 2005 Posted December 18, 2005 well darn, i guess we all should play assorted catacalsym's for our show next year Quote
MartinHorn Posted December 19, 2005 Author Posted December 19, 2005 Just remember to pay Fortisimo first or he'll kill you. Quote
Fortisimo Posted December 19, 2005 Posted December 19, 2005 Lol, as long as you swear alliengence to my anti-Key Poulan underground cult, your school may perform my show, SOAC, as many times as you all like. Quote
MartinHorn Posted December 19, 2005 Author Posted December 19, 2005 ^be prepared to sacrifice virgins and livestock and to defecate on Key Poulan's porch. Quote
Fortisimo Posted December 19, 2005 Posted December 19, 2005 Exactly, but I would say it is worth it. Quote
twizzlaar Posted December 19, 2005 Posted December 19, 2005 our show had a "slow" part (october), so to speak. We played it at 150bpm, so it wasn't that slow, but it was good. Quote
bariphonium Posted December 19, 2005 Posted December 19, 2005 It depends on what kind of a show you want. Do you want a fast-paced, high impact show? Then you probably wouldn't want a "ballad," so to speak. But shows that compete to win need to show that they can do it all. Sure, show the trumpets that can pull the high C, clearly, and show the clarinets and flutes that can run the breaks like it's nobody's business. But you'd also want to show that you can produce the most beautiful, powerfully moving sounds ever put on turf. Show that you can create chords so wonderful people are crying by the time you're done. Use the ballad to show that it's not all about the technical stuff, not all about the range or volume. Think also about the visual aspect. Remember Reagan 03? The ballad was great (Linconshire), but what really hit me was their guard: massive flags (probably around 15' by 30'). I doubt they could've pulled those massive flags out at any tempo faster than a ballad. Ballads give the guard an excellent chance to do something creative, unique, and what normally wouldn't be possible at faster tempos. "But the band can't move much at slow tempos!" Why's that bad? If you're band just marched a 200 bpm, 2-minute long movement, they might like a slower pace. It gives them a chance to rest their lips for a bit, to catch their breath, and to recover for the next movement (which is, of course, 3 mintues long and goes 220). So, no, ballads aren't mandatory, but they sure do help out. IMHO. Quote
Fortisimo Posted December 19, 2005 Posted December 19, 2005 I still contend that embedded slow sections make more sense muscially. Rudedog34 1 Quote
Trumpeter07 Posted December 21, 2005 Posted December 21, 2005 Quote I still contend that embedded slow sections make more sense muscially. I must agree Universal Expression, our 04 show, had a slow section embeded in Jupiter, you know the slow part i'm talking about, but it just sounded better then a slow movement. Quote
Fortisimo Posted December 21, 2005 Posted December 21, 2005 Yeah, that's what I'm talking about. Quote
Tx_state_euph_08 Posted December 21, 2005 Posted December 21, 2005 slow movements are great for showing musicality in your band ...if ur band's really good at marching it shows here too coz its really easy to notice execution. As a plus, u have time to relax and prepare ur lips for the next 200+ mvt. Also time to show off soloists Quote
Fortisimo Posted December 21, 2005 Posted December 21, 2005 Lmao, does anyone actually march at over 200 BPM? Quote
MartinHorn Posted December 21, 2005 Author Posted December 21, 2005 Actually from what I heard one time I think either the Bernstein Trilogy or Age of Anxiety did that. Plus remember the Ice Cream Social? Mr. Hart kicked it up to 200 on the fundementals. Quote
mindfulmusician Posted December 22, 2005 Posted December 22, 2005 I figured that SOMEONE would mention Jupiter. I was about to ask if that would be an example. But, I guess I can see Fortissimo's point about stopping the momentum of the show. Perhaps embedded sections are the wave of the future. It seems that I see more and more shows that are one big, flowing movement with distinct sections instead of the conventional shows with multiple, independent movements. Anyway, I hate to do this, but I'm undecided on the subject. I'll try to meditate on this subject later. - mm Quote
MartinHorn Posted December 22, 2005 Author Posted December 22, 2005 Quote I figured that SOMEONE would mention Jupiter. Quote I must agree Universal Expression, our 04 show, had a slow section embeded in Jupiter, you know the slow part i'm talking about, but it just sounded better then a slow movement. just thought I would point that out. Quote
mindfulmusician Posted December 22, 2005 Posted December 22, 2005 MartinHorn said: just thought I would point that out. Yes, MartinHorn, I DID notice that someone mentioned Jupiter, which is why I used the word "would" instead of "should." I guess I should have quoted that section so people knew what I was referring to instead of assuming people knew what I was talking about...lol. - mm Quote
MartinHorn Posted December 22, 2005 Author Posted December 22, 2005 Quote Yes, MartinHorn, I DID notice that someone mentioned Jupiter, which is why I used the word "would" instead of "should." I guess I should have quoted that section so people knew what I was referring to instead of assuming people knew what I was talking about...lol. - mm sorry misread Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.